When used directly within your DAW as a series of plugins, iZotope RX7 comes with 12 distinct editors that each focuses on removal or repair of certain aspects: Simply put, there are way too many features in this entire package to be able to break down and describe every single one, but everything that works in this toolkit does its job with incredible amounts of detail. The features of iZotope’s RX7 audio repair suite can be summed up in one word - astonishing. With that said, the iZotope RX7’s design is the most lacking of its rating categories for us, however we all know that it is also the least important. Other than that, there is nothing else within the pack as a whole that pops out to draw attention visually. Its fader-type controls for the most part are laid out either horizontally or vertically on a single slider, with a block containing numerical value displays off to the side. And when working on the spectral editor, some orange comes into play as well. The design of the RX7 plugin pack is basic for the most part - it adheres to a simple color scheme of a royal blue, black, and grey.
#RX 7 IZOTOPE FULL#
Luckily, we were granted the opportunity to try its full standard package out for ourselves, and boy does it live up to the hype.
Now, years later, iZotope has set the bar even higher with the RX7 audio repair plugin suite. Since then, it has grown well into its products, and years after it launched its original version, RX audio suite is now considered by a vast majority of engineers to be an industry-standard toolkit for audio editing and repair. As a company, iZotope has been putting out software and plugins for audio engineers of all types to use and enjoy since its launch in 2001.